Netflix’s Fullmetal Alchemist: Scar’s Revenge – Where Was It Filmed? Cast and cast updates.
“Fullmetal Alchemist: The Revenge of Scar”, also known as “Hagane no Renkinjutsushi: Kanketsu-hen – Fukushusha Scar”, is a Japanese action fantasy film produced by Netflix and directed by Fumihiko Sori. It is a sequel to the movie “Fullmetal Alchemist”, released in 2017. In the movie “2022”, which follows Edward Elric and his brother Alphonse, a mysterious creature begins to search for State Alchemists, believing that they have committed crimes against God. Both brothers are currently in a precarious position in their lives, and the reappearance of the homunculi to once again cause mayhem only compounds their existing problems.
The film is another installment in a beloved franchise that has garnered a huge following of dedicated followers, and it stars Ryōsuke Yamada, Atom Mizuishi, and Tsubasa Honda. The action moments in the film and the visually appealing settings won over viewers who were already familiar with the series. Naturally, many people are interested in finding out about the action movie setting, and because of that, we’ve got the answers to their questions right here!
Fullmetal Alchemist: Scar’s Revenge
Locations where scenes from Fullmetal Alchemist: Scar’s Revenge were filmed
The filming of the second live-action film in the “Fullmetal Alchemist” trilogy, titled “Fullmetal Alchemist: The Revenge of Scar”, took place in Japan, most likely in the capital, Tokyo. A compelling narrative is presented to the audience using a number of distinct settings and visual effects in the film. Let’s look at the details of the same, shall we?
Tokyo, Japan
It seems that “Fullmetal Alchemist: The Revenge of Scar” was filmed in and around Tokyo, which is the capital and largest city of Japan. It is imperative that the viewers understand that the plot of the film takes place in a more western environment and that some of the characters do not belong to Japanese culture. On the other hand, the live-action movie features only Japanese actors and actresses in each role. When asked about this, the filmmakers said there were no indicators in the film identifying a character’s nationality or race that would alter the original source material. They claim that this step was taken so that the adaptation could retain its authenticity.
On its own, Tokyo has long been a favorite location for filmmakers as a setting for their movies. A number of Japan’s best-known film studios, such as Toho and Toei Company, are headquartered in the nation’s capital. These studios, along with others, have helped produce many cinematic masterpieces by taking advantage of the facilities and locations within the city limits. The history of cinema in Japan goes back more than a century, and the country’s films are in no way inferior to their Western counterparts in terms of quality. Indeed, a large number of westerns have been filmed in Tokyo with the city as the setting. In this category you will find some of the most beloved works of cinema, such as “Bullet Train” and “Inception”.
Fullmetal Alchemist: Scar’s Revenge
Now on Netflix, Fullmetal Alchemist:
The Revenge of Scar is the second of three live-action films adapting Hiromu Arakawa’s 80 million-selling manga series about Edward Alric, the youngest State Alchemist in the country’s history. of Amestris, who once, together with his brother Alphonse, tried to raise their mother from the dead, which results in Edward losing an arm and a leg which he replaces with metal prostheses, and Alphonse finds himself with his soul bound in armor.
If any of this makes sense to you, then hooray, you’re part of this franchise’s vast international fan base and excited for the movie. If not, and it all sounds like higgledy-squat nonsense, the movie won’t give you an easy entry into the world of savage steampunk historical fiction Fullmetal Alchemist.
FULLMETAL ALCHEMIST: SCAR’S REVENGE: STREAM IT OR SKIP IT?
The essential :
The situation is that a guy in a cape is staring at an alchemist with a handlebar mustache. The alchemist is a type of warrior-magician who works for the government. The caped gentleman lowers his hood, but he manages to prevent his finely frothy hair from being damaged in the process. Because he has a huge X-shaped scar that runs from his forehead to his cheekbone, it can be assumed that he is the character referred to in the part of the film’s title that comes after the colon. Our villain commits his latest act of serial murder against a State Alchemist by throwing the mustachioed guy off a bridge.
But there can only be one Fullmetal Alchemist, and that would be Edward (Ryosuke Yamada), who along with his robotic brother Alphonse (voiced by Atom Mizuishi) hurries to catch a train. Even if an entire car explodes, the train never stops accelerating along the track, adhering to the law of unstoppable momentum in the movies, which also applies to vehicles, most often semi-trailers. trailers, which never stop moving no matter how many fender benders. . They’re barely on board when a commotion erupts, involving heavily armed thugs, ninja-types, and possibly a shapeshifter named Envy (Kanata Hongo).
In any event. All this is a direct consequence of various factors, such as politics, historical conflicts, cultural differences, etc. If you don’t know everything at this point, chances are you never will. But Scar (Mackenyu Arata) is an agent of chaos intent on revenge. He is a morally ambiguous creature who was warped into his current form after surviving a horrific genocide. What is his moral complexity? He murders individuals for things their ancestors did and has even gone so far as to murder the doctors who saved his life. He suffers from nightmares about these events. Like it should be.
A number of the story’s characters jump in and out of the action to engage in chaotic brawls or exhibit dramatic overreactions to their feelings. Mustang, played by Dean Fujioka, is a flame alchemist who, much to our amusement, is clearly not self-aware enough to recognize that his stuff doesn’t light up in the rain. He is one of the most notable characters in the series. There are beginnings and flashbacks, battle groups, and a human creature nicknamed Gluttony (Shinji Uchiyama) whose chest expands into a large monster mouth with multiple fangs that consumes its enemies as a whole. Additionally, huge blasts of pink energy are released from the mouth. Scar is an extremely difficult opponent for Edward and Alphonse to face on a regular basis. Scar mangles the parts of Edward and Alphonse which are, thankfully, replaceable. There is a lot of bloodshed and drama, and there are often amputated limbs involved. So many limbs and appendages have been amputated. It serves as a striking visual motif.
Fullmetal Alchemist: Scar’s Revenge
What movies will this remind you of? :
It reminded me of Prince of Persia because of the chintzy green-screen CGI (it’s an aesthetic, I guess), relentless action, and uninteresting bits that were peppered throughout the film. Prince of Persia isn’t Jake Gyllenhaal’s finest moment, but that’s okay. On top of that, there is a lot of talk about “the philosopher’s stone”, which is strongly linked to Harry Potter.
Performance to watch: Tsubasa Honda, who plays Edward’s lifelong friend Wintry Rockbell, really lets loose during one of the dramatic emotional outbursts discussed earlier. It’s a performance worth seeing. You don’t have to have seen either of the other two Fullmetal movies live to understand what’s going on with his character throughout the story.
Memorable dialogue: Scar utters this doozy that I coincidentally stitched onto a pillow on the sofa bed in the den: “I am that puss known as hate, born of civil war. And like pus, not even God can save me from rotting.
Sex and skin: None.
Although Edward is the title guy before the colon and therefore the protagonist here, this is very much Scar’s story; long stretches of the film pass without Edward, as the narrative crams in as much lore as possible, presumably to cover large swathes of material from the manga series. So any hope of relaxing, not worrying too much about the intricacies of the plot and enjoying the wild action of sci-fi martial arts is not quite attainable – the many confrontations and battles of the movie never live up to the impressive first-act train sequence, which is grand in scale and feels much more physically consistent. The rest is frequently interrupted so that Talking Villains and other diverse characters can pose and make declarative statements about the awe-inspiring potency of their powers, or hound the entire effort with numbing speeches. Numbing speeches that surely carry weight among converts, who will find enough traction here to hang on to the cliffhanger and the title card to follow at the end, and skip to movie no. 3.
