Why Do Fans Think Jim Ladd Is Leaving Sirius XM? Here Is What We Know

American radio producer, DJ and writer Jim Ladd first gained notoriety as the host of the hour-long radio show Interview. Ladd also presents music programming on Sirius XM Radio’s Deep Tracks channel.

It is possible that a well-known name in the radio industry has retired. Jim chooses the songs he plays on his nationwide SiriusXM Deep Tracks Freeform Radio program, turning them into Freeform rock.

On the radio, he regularly invites listeners to join him. The majority of his musical performances have a subject or narrative, such as those concerning politics, fast vehicles, Wild West outlaws, or attractive women. The host also accepts requests from the public, and on occasion these can trigger a full set.

Jim Ladd

Jim Ladd

Jim Ladd leaving Sirius XM? Where is he now?

Recent updates from Jim Ladd indicate that he doesn’t appear to be leaving Sirius XM. The radio host has not indicated on his social media pages that he plans to leave.

Until August 17, when he asked fans to tune in to the show, he was active on social media. Jim still mentions Sirius XM as his employer on his Twitter account, and he also provides his show times.

For the past 11 years, Jim has been a member of Sirius XM, and during that time he has won the admiration of listeners. Ladd offers SiriusXM Satellite Radio listeners his imaginative brand of freeform rock.

Crosby Stills & Nash, Roger Waters, the Eagles, Jackson Browne, Slash, John Fogerty, Carlos Santana and many other well known people have appeared on his nationally broadcast show.

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It’s possible Jim Ladd’s tweet signaled his retirement. He sent out a tweet on August 23 thanking everyone for reading and being his friends.

It appeared from reading the comments section that the radio host had dropped out. Jim is 74 years old and has been working for a long time.

Ladd’s health is not mentioned, but his advanced age may have contributed to his potential retirement. The radio personality will announce soon if he is retiring.

Keep an eye on his Twitter feed. Ladd can be reached via the nickname @JimLaddRocks.

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Jim Lad’s Wife’s Name is Helene Hodge-Ladd: Family Details

According to Wikipedia, Jim Ladd’s family includes him and his wife Helena Hodge Ladd; they never had children together.

Information about his wife can be obtained from his LinkedIn profile. Although the couple’s wedding date is unknown, Jim and Ladd appear to have been married for a considerable amount of time.

Jim’s wife is also a musician, writer and poet. According to Hodge’s biography, she helps her friend Jim Ladd with his programs, which air Monday through Friday from 8:00 p.m. to 1:00 a.m.

Helena is a very talented person who also doubles as a professional motorcyclist and a combat-trained female comedian for video games.

Jim Lad is married to Helene Hodge-Ladd

Jim Lad is married to Helene Hodge-Ladd

Jim Ladd net worth: Is the radio host rich?

Jim Ladd has a net worth of over $2 million. The radio personality worked at many stations to get all that money.

DJ Jim Ladd also recorded episodes of his SiriusXM radio show from his home, which featured Bonnie Raitt and Carlos Santana among other guests.

He bought the house in 1988 for $245,000 and in 2018 sold it to director-producer Jane Clark for $1.1 million.

Jim Ladd, a disc jockey, radio producer and writer from the United States, was born on January 17, 1948. He is one of the few renowned free-form rock DJs still active in American commercial radio. Ladd first rose to national fame as the host of the hour-long, nationally broadcast radio show Innerview, which ran for twelve years on over 160 stations. John Lennon, the Grateful Dead, Pink Floyd, Rush, Styx, U2, Joni Mitchell, Stevie Nicks, Crosby, Stills, Nash & Young, the Eagles and Led Zeppelin are just a few of the musicians Ladd has spoken with.

Born January 17, 1948 (74 years old)

United States

Occupation
  • disc jockey
  • radio personality
  • writer
Spouse(s) Helene Hodge-Ladd

Radio show style

Ladd is responsible for curating the playlist for his Nationwide SiriusXM Deep Tracks Freeform Radio show, turning the tracks he plays into freeform rock. He regularly opens the floor to questions and comments from the public. The majority of his musical sets are structured around a subject or narrative, such as Old West outlaws, pretty ladies, fast vehicles, or politics. He also takes requests from members of the public, and such a request can often serve as the impetus for a full act.

Every week, on Monday, Wednesday and Sunday evening, he hosts three different programs around a central subject. Jim put the blues front and center on his “MOJO MONDAY” show from 10-11 p.m. Monday. On Wednesday at midnight, he gave a performance called “Helmets” which lasted a full hour and was uninterrupted. This is a thematic compilation of music that has been perfectly mixed together, with one song flowing into the next. It also incorporates a variety of sound effects, such as voice-overs and film lines relevant to the subject. During this program, Ladd builds what he calls the “theater of the mind” (headphones are recommended). The poetry was performed and composed by spoken word artists such as Helene Hodge and Victoria Cyr, and was featured on the weekly ‘Headsets’ show in addition to music. There have been two albums under the “Headsets” moniker, and both were created in tandem with Billy Sherwood.

Ladd hosted a Sunday night show called “Theme of Consciousness,” which began at 9 p.m. PT and lasted until midnight. During this show, listeners submitted song requests that centered on a single word or phrase, such as “colors”, “fire”, or “dance”. This show recreates what Ladd calls “Tribal Drum”, which is how he describes the communal influence radio had on people in the early days of FM radio when he was a pioneer in the field. His set list included songs and bands not usually played on commercial radio, such as the Beatles, Doors and Led Zeppelin, in addition to classic rock standards from bands such as the Beatles and Doors. The majority of his shows end with a long song, such as “When the Music’s Over” by The Doors, “Achilles Last Stand” by Led Zeppelin or even “Echoes” by Pink Floyd which lasts 23 minutes. This practice was once common on radio.

Biography

Early years and KMET

Ladd got his start in the music industry in 1969 at a small rock station in Long Beach called KNAC. After working there for a total of two years, he moved to the KLOS station in Los Angeles. In 1974 he moved to KMET, also known as “The Mighty Met”, and remained there for the majority of the next 13 years (returning to KLOS in 1984, but returning to KMET again, 2 months before they don’t change format). During this time, he also hosted and produced Innerview, a nationally broadcast hour-long interview show that aired during the same period. In 1984, he returned to KLOS, where he remained for 2 months before

After what many listeners and people working in the industry perceived as a long steady decline in the station’s output, which was attributed by most accounts to the station’s decision to bring in consultant Lee Abrams and the strict “rock-oriented” formatting he favored. , KMET management shocked Southern California and all radio by suddenly launching rock music, call letters and all aircrew on February 14, 1987, changing the station’s name to KTWV (“The Wave”) and featuring a new

Jumping from station to station and side projects

In 1987, Ladd made a guest appearance on Pink Floyd bassist Roger Waters’ second solo album, entitled Radio KAOS, in which he portrayed a fictional disc jockey by the name of DJ Jim who chats with the protagonist of the album, a handicapped youngster named Billy. Ladd accompanied Waters on the tour that immediately followed, and he also made an appearance in all three accompanying music videos for the album. Ladd also appeared in the 1989 film Say Anything directed by Crowe, as a DJ who worked all night…. Additionally, Ladd’s work has been featured in major films like Tequila Sunrise, Rush, She’s Out of Control, and Defendor, which stars Woody Harrelson.

Because he refused to join a playlist, as requested by the majority of radio station owners, Ladd was only able to work intermittently in the radio industry for several years. Ladd worked at KMPC-FM in the late 1980s, where he helped form the station’s mix of classic and modern rock “Full Spectrum Rock”. He was enthusiastic about the station’s renaming to KEDG “The Edge” in March 1989; however, he was fired from his position when the station abruptly dropped its rock format two months later.

Radio Waves: Life And Revolution On The FM Dial was published by St. Martin’s Press in 1991 and was a semi-autobiographical book written by Ladd. The book was based on his radio career and the rise and fall of freeform rock radio in Los Angeles, beginning with the start of freeform on the West Coast and ending with the closure of KMET in 1987. Ladd’s book was based on his experiences. However, Raechel Donahue said she demanded that Ladd use her own name and that of her late husband Tom Donahue in the book. The names of many people and radio stations Ladd contacted during this two-decade period have been changed to pseudonyms. Others who have been recognized by their “air names” include David Perry, Ace Young, Jack Snyder, Damion and the late B. Mitchel Reed and JJ Jackson. Also included in this group are other people who went by the nickname “Damon”.

During the same year, Ladd began working for KLSX. When the station abruptly changed its programming to talk radio in July 1995, Ladd and the rest of the KLSX crew were fired without any warning or explanation.

Private life

Ladd is married to writer, poet and musician Helene Hodge-Ladd.

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